![best ever legato string library kontakt best ever legato string library kontakt](https://i.ytimg.com/vi/vlsLhzZf6no/maxresdefault.jpg)
The main folder of this refill is the Combinator folder where it is again divided into 5 subfolders:
![best ever legato string library kontakt best ever legato string library kontakt](https://blog.native-instruments.com/wp-content/uploads/dynamic/2021/01/5-free-saxophone-ensembles-for-KONTAKT-1-768x0-c-default.jpg)
There are several folders in the Combinator area where you do not have to search for long.
![best ever legato string library kontakt best ever legato string library kontakt](https://i.ytimg.com/vi/22WGykvV5fs/maxresdefault.jpg)
I would like to say something more, almost everything negatively, which is written is complaining to the highest level. ihave alot of work to fill up the sound with much performance cost.Īnd now I would like to come to the library of Softphonics. But it is a Chambers String library and not a full Ensemble library for the full orchestral sound. No question the RE is qualitatively the highest what Reason had to offer a few days ago. As an example, I take the rack extension of e-instruments Stringwerk. Okay, Reason is well known, but not everyone would like to spend the whole day producing sound sound. Since you have a lot of tricks and be creative to get some good strings sounds. (Thanks to Softphonics and Impact Soundworks).īut what I've never liked are the Strings Refills for Reason, there are already a few good Rack Extension or Refills but for Orchestra or filmscore, sorry but no. In the meantime, I've noticed that Reason is in the filmcore area on a good way, which is why my decision to get Reason to me even further. Well I must say that I have worked with East West Hollywood Orchestra for a long time and am therefore very spoiled. The biggest problem I have ever seen with Reason was that in the field orchestra always very badly equipped for today's conditions. Oh, it's my first review! So do not complain Have already tried a lot of libraries and DAWs. I have no solid music stalked direction, I do what I like from electro, dance, pop, handsup, trance to the king class (in my opinion) orchestral and film music on the computer. After nearly 10 years of break, I've been involved with music again in 2016. My name is Sascha, I'm 36 years old and I'm from the city of Essen / North Rhine Westphalia in Germany. Before I write my opinion about this string refill, I introduce myself with a few lines: